SELECTING A PHOTO AND PICTURES IS A BUSINESS OF THE OWNERS, NOT A DECORATOR. In the choice of paintings and photographs that will become the decor for the room, the deep preferences of the owners of the house are fully manifested. Therefore, the decorator is better not to interfere in this process, but only to choose the appropriate frames or mat. If the owner of the house does not like photos or paintings, then it is better to leave the wall empty.
THE CONTENT OF THE DECOR IS AT LEAST IMPORTANT THAN ITS FORM. In order to choose a decor that fits harmoniously into the interior, a good decorator should know how and what it is made of. After all, the content is invariably reflected in the form. For example, putting a flower pot on the window from material that is not resistant to fading, after a couple of months you can find it has lost its original color.
DO NOT BE AFRAID OF ERRORS. Without bold experiments, not a single outstanding interior was created. Better to make a mistake and fix it, than miss the opportunity to achieve impressive results in the decoration.
FULL DISCLAIMER OF ARTIFICIAL TEXTILES. Most professional decorators strictly observe the principle of completely abandoning artificial textiles in favor of natural textiles. Cotton, wool, silk, linen are the only possible options for materials. Costs are increasing, but the result is worth it.
PERFECT SYMMETRY - NOT PERFECT. A completely symmetrical room, equal parts of which look like a mirror image of each other, is perceived as uncomfortable to be in it. Therefore, in such a room must be present at least one asymmetric element. For example, a picture on the wall or sconces.
"CORRECT" CURTAINS - WITH WEIGHTLIGHTS AND TEN. In order for the curtains to form beautiful folds, braid should be sewn in their upper part, and weighting agents should be located in the lower part. The lining for curtains will not be superfluous: it provides excellent sound insulation and prevents them from fading under sunlight.
TEXTILE SETS MOOD. If the design of the room does not produce the expected effect emotionally, then change the textiles in it. This is the most affordable way to change the atmosphere of a living space.